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The Broken Obelisk |
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Providing both funds and interminable conviction, the de Menils worked endlessly to overcome objections to their proposed dedication of the sculpture to Dr. Martin Luther King, Jr., and the question of where the Broken Obelisk would be exhibited. The masterpiece finally found its home in front of the Rothko Chapel. Newman constructed three Broken Obelisks – one is here in Houston, one is in the Museum of Modern Art in New York, and the third on the campus of the University of Washington in Seattle. All are made of Cor-Ten steel, a material that is designed to rust. Houston’s, however, has suffered more than the other two, partly because of the Houston humidity and also because this Obelisk is in a reflecting pool. In 1987, foam was blown into the sculpture to stop the seams from popping apart due to air pressure. However, the foam only spurred new problems. The constant condensation inside the Obelisk kept the foam from drying properly and corrosion not only ensued from the outside in, but began occurring from the inside out as well. The Obelisk’s wellbeing remained unstable until August, 2004, when experts from the Menil were brought in to conserve it. First, it had to be dismantled – much easier said than done! A harness was placed around the pyramid and a huge crane pulled on the harness. No movement at all! A different harness was designed to utilize a central force at the point at which the obelisk and pyramid meet to pry it apart. Still no movement. The inside of the obelisk contains a “bladder” -- a huge balloon filled with water to offset the weight of the structure and keep it standing upright. On the third attempt, a steel rod was attached perpendicular to the rod that runs through part of the structure in an attempt to break the bladder. To try to break the rust, the steel rod was hammered – hard. STILL no movement.
The "Broken Obelisk" underwent a meticulous restoration process, overseen by Menil sculpture conservator Laramie Hickey-Friedman. Hickey-Friedman’s conservation treatment was designed to be minimally invasive to the sculpture while still stabilizing and strengthening it. Houston’s W.S. Bellows Construction Corporation donated the use of a mill for housing the off-site project, and also the services of an employee to operate the heavy equipment needed to lift and move the nearly 5-ton work of art. The repair of the sculpture was also made possible by a grant from the Annalee and Barnett Newman Foundation.
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(c) 2004 Rothko Chapel. All Rights Reserved. |
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